Sarah, My comments from the last post hold through to this one, although to a lesser extent. There are so many great beginnings here because you work so fluidly at first. Go back into the drawing after you've laid out the line of rhythm and the basic forms and USE LINE WEIGHT VARIETY to emphasize weight shift or the shadow side of form - or overlap.
Sarah,
ReplyDeleteMy comments from the last post hold through to this one, although to a lesser extent. There are so many great beginnings here because you work so fluidly at first.
Go back into the drawing after you've laid out the line of rhythm and the basic forms and USE LINE WEIGHT VARIETY to emphasize weight shift or the shadow side of form - or overlap.